Spotify Opens Audiobook Access in Five More European Markets

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More than half (52 percent) of Spotify’s international audiobook audience is now reported to be between between 18 and 34.

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By Porter Anderson, Editor-in-Chief | @Porter_Anderson

A Heavy Entry Into the Nordic Markets
In an announcement today (November 18), Spotify has introduced its audiobook service into the audio-avid bundle of Nordic markets of Denmark, Finland, Sweden, and Iceland, as well as Monaco.

In commentary to the news media, the company writes, “Listeners in these markets will now have access to more than 300,000 audiobooks as part of their premium subscription, including a robust mix of local-language and English-language titles featuring both independent publishers and major partners such as Bonnier.

“This means music, podcasts, and audiobooks are all in one unified subscription.

“And, for the first time at launch, premium users can also purchase Audiobooks+ – a recurring monthly add-on that provides additional listening for Family/Duo accounts.”

In messaging the world publishing media, Stockholm-based Spotify writes, “This marks another step for Spotify in expanding the global publishing ecosystem and driving incremental revenue, introducing both local and international authors/publishers to new audiences across one of the world’s most engaged audiobook regions.”

The company reports, “In  our English-language markets, audiobook listeners are up 36 percent year-over-year, with total listening hours up 37 percent%.

“More than half (52 percent) of Spotify’s international audiobook audience is between 18 and 34, underscoring how we’re connecting a new generation with the power of storytelling.

“Leading publishers such as Bloomsbury, HarperCollins, and Lagardère have even credited Spotify with driving double-digit growth in audio sales.”


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About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with CNN.com, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.

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